About the film
About the film



Textile artist Remiiya Badru as featured in Sheep, Actually.
Fashion designer Justine Lee as featured in
Sheep, Actually.
Cow the sheep being sheared in Sheep, Actually.
It started with ​​the first photo filmmaker Paul Wyatt ever took: a blurred sheep's nose on a school trip when he was just nine. A lifelong love of animals and a deep-seated curiosity to understand them drove Wyatt to make Sheep, Actually. He opens the film by asking the audience “If you’re going to work with wool, get to know how a sheep lives. Take a walk and meet the sheep.”
In the film, Wyatt does just that, taking viewers on an insightful journey to better understand these remarkable animals and the people who work with their wool.
Set unexpectedly in London, we meet a sheep named Cow, named for her resemblance to a calf at birth. Her journey includes her first experience of lambing, the shearing process and life with her new lamb. This distinctive viewpoint offers an intimate look at the lives of sheep, with Wyatt at times breaking the fourth wall to talk to the animals he encounters: the sheep, of course, but also a real cow, a goat, and a bossy squirrel.
Alongside Cow’s journey, Sheep, Actually shares stories from makers navigating the complex world of supply chains and running a craft business. The film explores the honest, often difficult choices required to run a sustainable craft business in the shadow of fast fashion.
At times serious, at others playful, Sheep, Actually explores where animals, people, and making meet.
Sheep, Actually is the culmination of over a decade of high-profile film collaborations that Paul Wyatt has filmed and produced.

Video clips
​​Watch the Sheep, Actually trailer and other clips and other clips from the film.


The Sheepzine​​ draws on over a decade’s worth of behind-the-lens field notes as Paul Wyatt rewinds the tape on his own journey with fleece across time and landscapes
Sheep, Actually

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